Through analysing the codes and conventions of existing front cover of NME, VIBE and Q you can see that most of them follow similar conventions. However, they will vary depending on the magazines demographic. This is because the mode of address cannot be the same for different ages, genders or even classes.
The mode of address is different for all of these three magazines, and this reflects its demographics. The mise en scene, design, colours and language all reflect which demographic the magazine is aimed at. NME uses big and bold typography, for its masthead, as well at its feature stories. This tells us that their demographic is predominantly male. This is because it mirrors males in them being ‘big’ and ‘solid’. The three colour scheme for this issue is Red, white and Black. Blue and black are both seen as quite manly colours, and therefore, this is another way in which the demographic is being reinforced. The language used also needs to be appropriate to the demographic.
Q’s masthead and feature stories are also in capital letters and are big and bold. Just as NME they are too reinforcing their demographic, which is predominantly male. However, Q’s front cover especially the masthead looks more classy, and sophisticated due to the fact that they aim for an older demographic, than the NME. Q, as well as NME have chosen for their mastheads to come in front of the central image, covering it slightly. Q uses red, white and grey within their three colour scheme, they work together in order to look very simple, which suits the older demographic. However, VIBE change the colours, which gives the audience a breath of fresh air. Adele in Q cover photo is photographed in line with the male gaze, which tells us that this is quite a popular convention. All of them are also hyper real images of women; this is also now accepted as the reality.
All three magazines use their feature stories in line with the Use’s and Gratifications Theory as the feature stories are informative, entertaining and allow for social interaction. According to this theory, these are some of the main reasons people use the media. All of the feature stories are also different colours, sizes and the type of typography is also different. This is in order to make the reader believe there is a big variety within the stories and that they are all unique and different. The main feature story is always the biggest typography on the front cover (not including the masthead) this applies to all three magazines.
Q has developed its own convention through using a banner at the top; however, instead of offering an additional feature story they have decided to “promote” their magazine by naming it ‘The UK’s Biggest Music Magazine’. An additional incentive, such as the earpiece within NME also helps to sell the magazine; this is because it offers the reader something in return from buying the magazine.
Through analysing the codes and conventions of the double page spreads you can see that most of them consist of a balance between images and text. A common convention is that the central image takes up a whole A4 page, whilst the other page is dominated by the article. This has been done very clearly by Q. One whole page is taken up by the image of Lady Gaga Through analysing the codes and conventions of double page spreads you can see that most of them consist of a balance between images and text. A common convention is that the central image takes up a whole A4 page, whilst the other page is dominated by the article. This has been done very clearly by Q. One whole page is taken up by the image of Lady Gaga, whilst the other page is taken up by the article about her. The double page spread looks very simplistic and sophisticated in order to suit Q’s older and more mature demographic. NME has also done this as their image takes up the whole page. However, instead of the whole article being related to the main image the page has been split into mini articles about other, similar bands to “The Teenagers”. This is seen as unconventional for a double page spread, however, it is under the ‘Radar’ section of the NME meaning the double page spread is devoted to new and young talents, not one particular band. This suits NME’s demographic as they like to find out new things about the genre of music they are interested in, and they are not necessarily about quality, but quantity, unlike Q.
Each section within the NME has an individual colour scheme, as we can see the ‘Radar’ section is white, blue and black. This helps the reader to visually navigate themselves around the magazine. It is visually stimulating in order to be suited to it demographic. On the other hand Q reinforces its colour scheme through the receptiveness of white, red and black, with even the image being black and white. This is again in order to reinforce its demographic.
All three articles start with a letter which is bigger than the rest of the typography. However, the letter is meant to be only a few sizes bigger. NME followed this convention, unlike Q who have decided to develop this further. They have done this through spreading the first letter of the article across the whole page.
Behind all of the main images there is Mise en scene. Within NME the image tries to portray a typical teenager, as well as trying to mirror an average NME reader. This would allow NME’s demographic to personally identify with the article. Q has photographed Lady Gaga in line with the Male Gaze. She was made to look submissive towards men by being photographed naked, with chains around her neck. The image is an aspiration of what the reader wants to have or be, and this goes in line with Maslow’s hierarchy of needs. Within all three images, anchors have been attached in order to explain the meaning of the photo to the reader, whilst the other page is taken up by the article about her. The double page spread looks very simplistic and sophisticated in order to suit Q’s older and more mature demographic. NME has also done this as their image takes up the whole page. However, instead of the whole article being related to the main image the page has been split into mini articles about other, similar bands to “The Teenagers”. This is seen as unconventional for a double page spread, however, it is under the ‘Rader’ section of the NME meaning the double page spread is devoted to new and young talents, not one particular band. This suits NME’s demographic as they like to find out new things about the genre of music they are interested in, and they are not necessarily about quality, but quantity, unlike Q.
Each section within the NME has an individual colour scheme, as we can see the ‘Radar’ section is white, blue and black. This helps the reader to visually navigate themselves around the magazine. It is visually stimulating in order to be suited to it demographic. On the other hand Q reinforces its colour scheme through the receptiveness of white, red and black, with even the image being black and white. This is again in order to reinforce its demographic.
All three articles start with a letter which is bigger than the rest of the typography. However, the letter is meant to be only a few sizes bigger. NME followed this convention, unlike Q who have decided to develop this further. They have done this through spreading the first letter of the article across the whole page.
Behind all of the main images there is Mise en scene. Within NME the image tries to portray a typical teenager, as well as trying to mirror an average NME reader. This would allow NME’s demographic to personally identify with the article. Q has photographed Lady Gaga in line with the Male Gaze. She was made to look submissive towards men by being photographed naked, with chains around her neck. The image is an aspiration of what the reader wants to have or be, and this goes in line with Maslow’s hierarchy of needs. Within all three images, anchors have been attached in order to explain the meaning of the photo to the reader.
All three contents pages were constructed in order to help the reader navigate around the magazine, as well as show the reader that their magazine consists of a vast variety of contents. They do this through the use of text, as well as pictures. However, they all very diverse and differ due to their demographics.
Within their contents page Q have carried on with their three colour scheme reinforcing their brand identity. They also did this through putting the letter ‘Q’ in front of the word ‘Contents’, as this is a constant reminder for the audience what magazine they are reading. This makes it easier for the readers to identify the magazine. Vibe and NME have also carried on with their three colour scheme, for the same reasons as Q. However, all of these magazines have different colours, and brand identities in order to suit their demographics; the demographic will always determine the mode of address.
Q has chosen a balance between text and pictures for their contents page. They have also chosen to spread their contents over two pages, in order to create the impression that the magazine is cramped with contents, and it cannot fit onto only one page. However, through doing this they also made the contents page look simpler, and quite organised. This suits their older and more conservative demographic. In comparison, NME‘s contents page is very crowded, and it is also cramped onto one page. This suits their demographic as young, adult boys have often a lot going on in their lives, and their lives can be seen as “crowded”. Unlike Q, NME have chosen to have their contents page as text based, with a two medium images. Vibe has gone down a completely different route and their contents page can be seen as minimalistic. Their contents page consists of one large image, and a few contents. This may be in order to force their audience to read the whole magazine, rather than just flicking through the magazine.
All three magazine contents pages are also split into sections, which separate different types of information. These sections also reflect what is important for the magazines demographics. Q is split into three sections; features, regulars and reviews. The features section keeps the reader interested, whereas the regulars section gives the reader a sense of stability. This is important for an older demographic as they are not keen on change. NME’s sections include a lot of music reviews as well as new talents. This is due to the fact NME readers take themselves and their music very seriously. The vibe has only two sections, which include features and fashion. The fact there is a fashion section shows us that Vibe’s demographic places a big importance on fashion and their appearance. The information on contents pages also go in line with The Use’s and Gratifications Theory as they have an informative value, which is one of the reasons people use the media. Within each section all of the stories are arranged in chronological order, and all three magazines follow this convention.
Within contents pages, the biggest image is related to the front cover, as well as the double page spread. This is because that particular story is the main selling point of the magazine, and through doing this it highlights the importance of it. All of my analysed contents pages have followed this convention. Alongside images, you will often find anchors, which are in place in order to stir you towards the meaning of the image. This is a common convention which is used throughout the whole magazine. However, this is only done by Vibe, which has an anchor next to their central image. Vibe has also chosen to photograph their model in line with the Male Gaze in order to attract their male demographic. This is part of the appropriate mode of address. NME has chosen to write a mini article instead of an anchor, whereas Q has numbers on their images which connect to the articles that are present on the contents page. The headings and subheadings act as an anchor for the images.
All three contents pages have a title. The most common title is “Contents”, in this instance it is used by Q, as well as Vibe. However, NME has chosen to use a different title which is “NME This Week”. This straight away informs the reader that NME is published weekly, and it is also reinforcing the brand identity.
Through looking at all the different contents pages, we can see that even though there are many conventions, they are more flexible and are developed and broken much more often than the conventions on the front covers.